Transcription

SCI Na'onal CouncilMark Phillips, PresidentCarter John Rice, Execu9ve Commi ee ChairBrad Decker, Newsle er EditorJim Rhinehart, Assistant Newsle er EditorJohn G. Bilota, SCION EditorBruce J Taub, Journal of Music Scores EditorTravis Garrison, CD Series EditorChin Ting Chan, Submissions CoordinatorZae Munn, SCI/ASCAP Commission CoordinatorAdam Vidiksis, Student CoordinatorLeslie La Barre, Marke9ng CoordinatorIan Guthrie, Assistant Marke9ng CoordinatorJessica Rudman, Officer of Diversity and EquityDavid Drexler, WebmasterM. Anthony Reimer, System AdministratorMa hew McCabe, System AnalystFrank Nawrot, Student Representa9veGerald Warfield, SCI Na9onal Office General ManagerUniversity of New Mexico College of Fine Arts Administra'onRegina Carlow, Interim DeanEric Lau, Department of MusicMary Tsiongas, Associate Dean of Faculty and ResearchUNM John Donald Robb Musical Trust OfficersPeter Gilbert, ChairJames Bonnell, Vice ChairMarc Woodward, TreasurerKris9ne Purrington, SecretaryElsa Menéndez, Immediate Past ChairRegina Carlow, Dean of the College of Fine ArtsEllen Robb, Member at LargeComposers’ Symposium StaffKarola Obermüller, Peter Gilbert, Co-Ar9s9c DirectorsEva Lipton-Ormand, Program Specialist, John Donald Robb Musical TrustLevi Raleigh Brown, Graduate Assistant, John Donald Robb Musical TrustMikal Monique Thompson, Keller Hall ManagerManny Re[nger, Audio EngineerLiz Rincon, Audio-Visual Technology ManagerCarola Bounkeua, Music Department AccountantCover Artwork: “Watercolor 7” by Raymond Jonson, Watercolor No. 7. Bequest of RaymondJonson, Raymond Jonson Collec9on. University of New Mexico Art Museum, Albuquerque

The 2019 Society of Composers Inc. National Conference & John Donald Robb Composers’ Symposium2019 SCI Na'onal Conference Par'cipa'ng ComposersLinda AntasPierce GradoneMark PhillipsMathew ArrellinBri any J. GreenAndrea ReinkemeyerJennifer Margaret BarkerCharles HalkaPaul RichardsJennifer BellorLonnie HeviaJessica RudmanJulián BrijaldoAmelia S. KaplanAlejandro Ru yJosiah Tayag CatalanTexu KimEvis Sammou9sDan CavanaghEmily KohJamie Leigh SampsonChin Ting ChanLeslie La BarreMarc Sa erwhiteYoung-Shin ChoiWilliam LinthicumCarl SchimmelBlackhorseChristopher ColemanPhilip SchuesslerKrista ConnellyChelsea LoewLaura SchwartzCarlos Cotallo SolaresEdna Alejandra LongoriaChristopher Shul9sLuke DahnPaul MarquardtLiza SobelMark Dal PortoJoshua MarquezIngrid StölzelMaxwell DulaneyMike McFerronDaniel TackeJonah ElrodDavid Dean MendozaJorge VariegoEwa Fabiańska-JelińskaEli-Eri MouraDavid VayoFrank FeliceAnne NeikirkGregory WanamakerBlaise J. FerrandinoShawn E. OkpebholoBe y WishartOrlando Jacinto GarcíaJoão Pedro OliveiraTolga YayalarPaolo GeminianiTomàs Peire SerrateStephen YipMa hew SchultheisEmanuele ArciuliChris BuckholzTracy CarrAndrea CheesemanYu-Fang ChenElizabeth CrawfordMarie-Christine DelbeauSCI Student Commission WinnersMichael SeltenreichFelipe Tovar-HenaoPerformersKris9n DitlowAnne EisfellerTod FitzpatrickKim FredenburghMichael HixAshley KellyThe Ardi[ QuartetCha erNew Mexico Contemporary EnsembleNew Music New MexicoNew MusicMexicoMexicoNewWindsJennifer LauSco NeyValerie Po erFred SturmEmily TianMichael WalkerSound IconUNM Graduate Percussion GroupUNM Graduate Wind QuintetUNM Jazz BandUNM Saxophone Studio

The 2019 Society of Composers Inc. National Conference & John Donald Robb Composers’ SymposiumFeatured GuestsEmanuele ArciuliEmanuele Arciuli has established himself as one of the mostoriginal and interes9ng performers on today’s classical musicscene. His repertoire ranges from Bach to contemporary music,with a strong affinity for composers from the United States. Hecon9nuously develops new projects and is in constant pursuit ofnew ideas and innova9ve programs. Round Midnight Varia6ons,a group of 16 composi9ons that were wri en expressively for Arciuli by composers such asCrumb, Babbi , Kernis, Rzewski, Torke, Daugherty, Bolcom and Harbison, has recently sparkedthe interest of interna9onal cri9cs. The varia9ons, which were released by Stradivarius on CDunder the 9tle, Round Midnight – Hommage to Thelonious Monk, in May 2011, have beencelebrated by the interna9onal press. His newest comprehensive book on American pianomusic, “Musica per pianoforte negli Sta9 Uni9,” was recently published in Italy. In May 2011,Arciuli was awarded with the most important Italian cri9c’s prize, the Premio Franco Abbia9. Inwinning this prize, he follows in the footsteps of Maurizio Pollini, Radu Lupu and Zubin Mehta.The jury stated, “This pianist from Bari has been an authorita9ve figure on the mul9facetedhorizon of all things modern for years, all the while preserving a connec9on to tradi9on.” Moreinforma9on at: h p://www.emanuelearciuli.com/.ArdiS String QuartetThe Ardi[ Quartet enjoys a world-wide reputa9on for itsspirited and technically refined interpreta9ons of contemporaryand earlier 20th century music. Many hundreds of stringquartets and other chamber works have been wri en for theensemble since its founding by first violinist Irvine Ardi[ in 1974.World premieres of quartets by composers such as Abrahamsen,Ades, Andriessen, Aperghis, Birtwistle, Bri en, Cage, Carter, Denisov, Dillon, Dufourt, Dusapin,Fedele, Ferneyhough, Francesconi, Gubaidulina, Guerrero, Harvey, Hosokawa, Kagel, Kurtag,Lachenmann, Lige9, Maderna, Manoury, Nancarrow, Reynolds, Rihm, Scelsi, Sciarrino,Stockhausen and Xenakis and hundreds more show the wide range of music in the Ardi[Quartet’s repertoire. The ensemble believes that close collabora9on with composers is vital tothe process of interpre9ng modern music, and therefore it a empts to work with everycomposer whose work it plays. The Ardi[ Quartet’s extensive discography now features morethan 200 CDs. Over the past 30 years, the ensemble has received many prizes for its work. It haswon the Deutsche Schallpla en Preis several 9mes and the Gramophone Award for the bestrecording of contemporary music in 1999 (Ellio Carter), in 2002 (Harrison Birtwistle) and in2018 (Pascal Dusapin). In 2004 the quartet was awarded the Coup de Coeur prize by theAcademie Charles Cros in France for its excep9onal contribu9on to the dissemina9on ofcontemporary music. The pres9gious Ernst von Siemens Music Prize was awarded to the groupin 1999 for life9me achievement in music. Ardi[ remains the only ensemble ever to receive it.More informa9on at: h p://www.ardi[quartet.co.uk/.

The 2019 Society of Composers Inc. National Conference & John Donald Robb Composers’ SymposiumChaUerCha er, led by David Felberg (ar9s9c director) and Tony Zancanella (business manager), is aneclec9c classical concert series suppor9ng the finest regional professional musicians (andfriends of Cha er from around the globe). The series presents a full spectrum of classical musicin unconven9onal venues. This includes challenging opportuni9es for musicians/composers,exhilara9ng programming, rarely heard works, a confluence of music and poetry, all offering anin9mate connec9on with audiences of all ages. More informa9on at: h ps://www.cha erabq.org/.New Mexico Contemporary EnsembleThe New Mexico Contemporary Ensemble (NMCE), founded in2016 by Dalton Harris and Clara Byom, aims to bring the music ofthe past century’s most prolific and crea9ve composers fromthroughout the Americas to the audiences of New Mexico.NMCE provides concert experiences to the communi9es ofAlbuquerque and Santa Fe that include modern classical music ofthe Americas, new commissions and collabora9ons with emerging local ar9sts in otherdisciplines. The ensemble’s recent ac9vi9es have included an annual James Tenney MemorialSymposium, annual Call for Scores, two Midwest tours, the “this is not a concert” series and aNew Music USA supported interdisciplinary project performed at the Albuquerque Rail Yards.NMCE has performed repertoire from Brazil, Argen9na, Mexico, Cuba, Columbia, the UnitedStates and Canada, and has developed collabora9ons with several Brazilian, Argen9ne,Columbian and American composers. More informa9on at: h ps://www.nmcontemporaryensemble.org/.Sound IconSound Icon is a Boston-based sinfonie a commi ed to worldclass performances of the most compelling music of the past fewdecades. As one of only a few American ensembles performinglarge-scale, avant-garde works, Sound Icon has emerged as aleader in its field, regularly working with the most prominentcomposers and performers of today. Sound Icon’s pursuits arerooted in the belief that live performances of progressive music should provide an experienceunlike any other, and that novel, masterful music con9nues to be produced by today’scomposers. Led by conductor and ar9s9c director Jeffrey Means, Sound Icon has become aleading ar9s9c force in Boston, performing challenging, cu[ng-edge contemporary repertoirefor sinfonie a that is rarely heard live in the United States. Sound Icon has worked withprominent composers such as Pierluigi Billone, Liza Lim and Salvatore Sciarrino, and hasperformed major works by leading composers, including Olga Neuwirth, Wolfgang Rihm andmany others. Founded in 2011, Sound Icon has established rela9onships with local culturalins9tu9ons such as the Boston University Center for New Music, the Ins9tute of ContemporaryArt Boston and Northeastern University, crea9ng cross-ins9tu9onal collabora9ons that supporttruly exci9ng events. In addi9on to live concert events, Sound Icon frequently holds workshopswith young composers and instrumentalists. More informa9on at: h ps://www.soundiconensemble.org.

The 2019 Society of Composers Inc. National Conference & John Donald Robb Composers’ Symposium2019 SCI Na'onal ConferenceGENERAL SCHEDULE OF EVENTSUniversity of New Mexico College of Fine ArtsThursday, March 282:00 PMSCI CONFERENCE CONCERT I (Keller Hall)4:00 PMSCI CONFERENCE CONCERT II (Keller Hall)8:00 PMSCI CONFERENCE CONCERT III : ARDITTI QUARTET (Keller Hall)Friday, March 299:00 AMMeet the Composer (CFA Rm 2018)10:00 AM Meet the Composer (CFA Rm 2018)11:00 AM Meet the Composer (CFA Rm 2018)1:00 PMSCI CONFERENCE CONCERT IV : EMANUELE ARCIULI (Keller Hall)2:30 PMMeet the Composer (CFA Rm 1020)4:00 PMSCI CONFERENCE CONCERT V (Keller Hall)5:15 PMMeet the Composer (CFA Rm 2018)6:30 PMSCI Na9onal Conference Dinner (UNM Student Union - Lobo/Fiesta Rooms)8:00 PMSCI CONFERENCE CONCERT VI : UNM JAZZ BAND (Outpost Performance Space)Loca6on: 210 Yale Blvd SE, ABQSaturday, March 309:00 AMMeet the Composer (CFA Rm 2018)10:00 AM Meet the Composer (CFA Rm 2018)11:00 AM Meet the Composer (CFA Rm 2018)1:00 PMSCI CONFERENCE CONCERT VII : NMCE AT THE MUSEUM (UNM Art Museum)2:15 PMPain9ng Viewing of Watercolor 7 (UNM Art Museum)3:00 PMSociety of Composers, Inc. General Mee9ng (CFA Rm B120)4:00 PMSCI CONFERENCE CONCERT VIII (Keller Hall)5:15 PMMeet the Composer (CFA Rm 2018)8:00 PMSCI CONFERENCE CONCERT IX : SOUND ICON (Keller Hall)Sunday, March 3110:30 AM SCI CONFERENCE CONCERT X : SUNDAY CHATTER (Las Puertas)Loca6on: 1512 1st St NW, ABQ4:00 PMSCI CONFERENCE CONCERT XI (Keller Hall)

The 2019 Society of Composers Inc. National Conference & John Donald Robb Composers’ SymposiumAbout the ArtworkRaymond Jonson:Pure Aesthe'c Emo'onRaymond Jonson (1891 – 1982) was anAmerican abstract painter who was a key figurein New Mexico Modernist pain9ng throughouthis career. Moving to New Mexico in 1924,Jonson brought with him a passion anddedica9on to the most avant-garde ideasregarding the visual arts and their poten9al totranscend mere representa9on. Like manymaverick ar9sts of his 9me, Jonson workedagainst the grain of the art world andapproached his pain9ngs throughexperimenta9on and a keen interest in shi{inghow we engage with a work of art. Takinginspira9on from avant-garde ar9sts like WassilyKandinsky, Jonson was concerned with thespiritual relevance of the arts. He u9lized formand color as a way to explore the emo9onal,provoca9ve, and life-changing impact ofpain9ng on an individual’s everydayWatercolor 7 by Raymond Jonsonexperience – arguing for a “pure aesthe9cemo9on” to li{ the experience out of “sweet-pre ycommonplace.” He o{en turned to music asinspira9on and was mo9vated by a desire to bring“rhythmic and unifying harmonies” to his visualcomposi9ons. His visionary approach to pain9nginfluenced his contemporaries as well as futuregenera9ons of ar9sts and his legacy is foreverconnected to New Mexico.- Traci Quinn, UNM Art MuseumCurator of Educa9on and Public Programs“What I want and expect to get is a form that willfunc6on as nicely in color as in music” – Raymond Jonson.

The 2019 Society of Composers Inc. National Conference & John Donald Robb Composers’ SymposiumSymposium Concert ProgramsThursday, March 28th 2:00 PM, Keller Hall (SCI Na'onal Concert #1)Mathew ArrellinMetasoma9c IMathew Arrellin, celloBlaise J. FerrandinoDuet for French Horn and TromboneMike Walker, horn; Chris Buckholz, tromboneJulián BrijaldoHilando el horizonte (Weaving the Horizon)Sophia Neal, soprano; Michael Hix, baritone;Kris9n Ditlow, pianoBri any J. GreenPortraitsKris9n Ditlow, pianoEli-Eri MouraOpanijé FractusNew Mexico Winds: Valerie Po er, flute;Kevin Vigneau, oboe; Tim Skinner, clarinet;Denise Reig Turner, bassoon; Michael Walker, hornY Note from the Composers ZMetasoma6c I is the first in a series of works I have wri en in the last year that explores the constantmotoric trilling of unstable harmonics and mul9phonics. This dichotomy of material opposites yields richharmonies based on the overtones of the lower two strings of the instrument, the lowest of which istuned down a half-step. It also inves9gates the concept of a trill more generally as an alterna9onbetween two states, both abstractly and expressively: up and down, high and low, quiet and loud, etc.This explora9on of the acous9c proper9es intrinsic to the cello, and strings in general, was a necessaryturning point in my musical development as both a composer and a performer.The first movement of Duet for French Horn and Trombone features a lyrical conversa9on exploringdifferent 9mbres through